I’m usually quite loud. Rewire Festival 2025
Rewire reminds that music in focus and detail makes a colossal impression.
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Rewire 2025: top ten not to miss
From the hypnotic guitar structures of Ex-Easter Island Head, to the spiritual soundscapes of Nali Sinephro, to the performative sound rituals of Lukas De Clerck – each of these artists redefines musical boundaries.
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Fantastic 4 (March 28th)
Four different musical worlds – from the dark hypnosis of Réka Csiszér to Janka’s dub-footwork explorations, to Amenra’s monumental post-metal suites and rebellious 80s pop-raï.
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Where we belong. Odysseus Festival 2024
An Odyssey in Helsinki: jazz meets electronic music, tradition meets experimentation and sounds from all over the world freely intertwine. No headliners, no divisions – just pure sound exploration.
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Fantastic 4 (March 21st)
Noise for traditional Asian instruments, juggling with the sound of cornets, Central European guitar primitivism, and the excellent Lonnie Holley album with guests. Here are my four albums of the week.
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Fantastic 4 (March 15th)
Minimalist post-jazz improvisations, medieval-electronic chants, dystopian loops, and drone masses. Every week, I recommend the four most interesting music premieres. From now on, in an extended version.
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Supersonic Festival 2024. A considerable value
The Supersonic Festival 2024, which celebrated its 21st birthday, proves that tradition and experimentation are not mutually exclusive. It reminds us why independent events are so valuable in a commercialized world.
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The best of 2024. The center won’t hold
The 30 most interesting albums of 2024, some small joys and reflections on the state of the music market.
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Kali Malone All Life Long live
Minimalist and monumental music from “All Life Long” played by Kali Malone, Stephen O’Malley. Macadam Ensemble and Opus 333 remarkably resonated in the monumental space of the Eglise du Saint-Espirit.
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Roadburn: looking for heaviness
Roadburn broadens one’s view of a slice of the music scene, which reveals its comprehensive spectrum in Tilburg.
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