Sarmacja is marching between national ecstasy, exhaustion and anger, weekend joys and the mundane greyness of everyday life in the provinces. It is a rhythmical landscape of
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Quarantine music
Music as a form of catharsis, recycling of ideas or means to bring aid – three albums recorded during the quarantine prove that it served as
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Ibérica electrica
Marion Cousin and Kaumwald move Iberian songs from the collective regional memory into a broader context, as if wanting to engage listeners in a peculiar game.
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Traczyk’s sonic concrete mixer
Traczyk strips the bass from its lyricism; instead of looking for melodies and pleasant sounds, he opts for the heaviness. Here he is drawling out sounds and trying to tame the mighty-sounding wooden giant.
The Magnificent 7: gqom, a winter soundtrack & Polish retromania
From Durban’s GQOM, through an acid-fuelled soundtrack to winter, to Polish retromania from the 90s. – I’ve compiled a selection of music that is danceable, fun, and many more things to boot.
The Magnificent 7: recreational and revolutionary jazz
Pleasant, casual meetings usually bring the best results. But sometimes things can go a bit revolutionary too. Here are the most interesting jazz and jazz-like albums of the last weeks and the start of a new series: The Magnificent 7.
Exploding guitar
“Rastilho” is a personal comment on the contemporary world, the simplest possible gesture: reaching for an instrument, playing, and looking towards the samba tradition to make a contemporary statement about Brazil under Bolsonaro’s rule.
Horse Lords set common task
Throughout forty minutes, Horse Lords combines microtonal harmonies, polyrhythms, minimalism, mathematical structures, dance potential and an algorithmic approach that sometimes reminds me of the Orange Milk roster.
The most beautiful album of the year
Alabaster DePlume takes the suitcase labelled “jazz” on a trip around the globe. He opens it up in various corners of the world – for forty minutes, we delve into melodies as if taken straight from the Ethiopiques stage, set sail for the Far East and towards Japanese Min’yo folk, only to return to Europe along the path of Celtic music.
Heavyweight
On “Nigunim” Bastarda lead us through their world with profound reverence, far away from the profane, maintaining the narrative potential of the nigunim. Yet the most important thing is that they are able to convey the full emotional load of this timeless music in their own inimitable style.