Traczyk strips the bass from its lyricism; instead of looking for melodies and pleasant sounds, he opts for the heaviness. Here he is drawling out sounds and trying to tame the mighty-sounding wooden giant.
Pleasant, casual meetings usually bring the best results. But sometimes things can go a bit revolutionary too. Here are the most interesting jazz and jazz-like albums of the last weeks and the start of a new series: The Magnificent 7.
“Rastilho” is a personal comment on the contemporary world, the simplest possible gesture: reaching for an instrument, playing, and looking towards the samba tradition to make a contemporary statement about Brazil under Bolsonaro’s rule.