Some refer to it, others prefer to distance themselves from it. In my opinion, Opla and Širom’s latest records sound like contemporary folk made in large cities and their peripheries. Fiery and delicate at the same time, it takes a winding slalom course leading back to tradition.
Four artists representing four different musical worlds are breathing new life into organ music. Ellen Arkbro keeps developing new conceptual ideas for using this instrument, Maja Ratkje adds additional sounds to it, Sarah Mary Chadwick uses it as an accompaniment to her songs and Kali Malone creates long, meditative drones, putting the ideas of deep listening into practice.