Fantastic 4 (March 21st)
Noise for traditional Asian instruments, juggling with the sound of cornets, Central European guitar primitivism, and the excellent Lonnie Holley album with guests. Here are my four albums of the week.
Read moreNoise for traditional Asian instruments, juggling with the sound of cornets, Central European guitar primitivism, and the excellent Lonnie Holley album with guests. Here are my four albums of the week.
Read moreMinimalist post-jazz improvisations, medieval-electronic chants, dystopian loops, and drone masses. Every week, I recommend the four most interesting music premieres. From now on, in an extended version.
Read moreThe Supersonic Festival 2024, which celebrated its 21st birthday, proves that tradition and experimentation are not mutually exclusive. It reminds us why independent events are so valuable in a commercialized world.
Read moreThe 30 most interesting albums of 2024, some small joys and reflections on the state of the music market.
Read moreMinimalist and monumental music from “All Life Long” played by Kali Malone, Stephen O’Malley. Macadam Ensemble and Opus 333 remarkably resonated in the monumental space of the Eglise du Saint-Espirit.
Read moreRoadburn broadens one’s view of a slice of the music scene, which reveals its comprehensive spectrum in Tilburg.
Read moreThe spring edition of Sanatorium of Sound, although more economical, turns out to be surprisingly coherent, balancing rhythm and club electronics with abstract music that resonates well in Sokolowsko.
Read moreGoing beyond the music program, Borealis touched on Sámi culture, becoming a platform to rethink how to talk about one’s identity.
Read moreHeaviness in music can be understood in many ways. Here are ten days through the prism I want to experience this year’s Roadburn.
Read moreBeautifully intimate home recordings made by an Ethiopian nun reflecting on the idea of exile in the 1970s and 1980s, probably never intended to be heard by anyone but herself, have taken on an astounding universality in 2024
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