I’m usually quite loud. Rewire Festival 2025
Rewire reminds that music in focus and detail makes a colossal impression.
Read more
Rewire reminds that music in focus and detail makes a colossal impression.
Read more
An Odyssey in Helsinki: jazz meets electronic music, tradition meets experimentation and sounds from all over the world freely intertwine. No headliners, no divisions – just pure sound exploration.
Read more
Minimalist and monumental music from “All Life Long” played by Kali Malone, Stephen O’Malley. Macadam Ensemble and Opus 333 remarkably resonated in the monumental space of the Eglise du Saint-Espirit.
Read more
Roadburn broadens one’s view of a slice of the music scene, which reveals its comprehensive spectrum in Tilburg.
Read more
The spring edition of Sanatorium of Sound, although more economical, turns out to be surprisingly coherent, balancing rhythm and club electronics with abstract music that resonates well in Sokolowsko.
Read more
Going beyond the music program, Borealis touched on Sámi culture, becoming a platform to rethink how to talk about one’s identity.
Read more
Supersonic restores faith in what can be done with the guitar, that music can speak for the present, and what else the word ‘festival’ can mean.
Read more
Jakub Knera reports from the ninth edition of the Sanatorium Of Sound, in Sokołowsko, Poland and focuses on the wild intonarumori instruments of Italian futurism, takes a deep listening walk to a mountainous opencast mine at dawn, and enjoys the healing properties of outdoor sound.
Read more
Fire! Orchestra shows brilliantly how, relying on groove and often post-punk rhythms, they can make room for improvisation, ensemble playing, and songs. This has an extraordinary power in it.
Read more
In a fifteen minutes I can be in Algeria, Sao Tome, Bogotá, Hokkaido or Ljubljana. This is the essence of the festival: there is a strength in diversity that is as great as nowhere else in Europe.
Read more