Throughout forty minutes, Horse Lords combines microtonal harmonies, polyrhythms, minimalism, mathematical structures, dance potential and an algorithmic approach that sometimes reminds me of the Orange Milk roster.
Alabaster DePlume takes the suitcase labelled “jazz” on a trip around the globe. He opens it up in various corners of the world – for forty minutes, we delve into melodies as if taken straight from the Ethiopiques stage, set sail for the Far East and towards Japanese Min’yo folk, only to return to Europe along the path of Celtic music.
“Processions” is a contemplative journey through folk music, a lesson in deep and close listening. Because you do have to listen closely to it, capture the sounds, their details, try to discern all the hidden layers. It’s an invitation to deep listening: this is escapist music, you have to let it play out, catch your ear in a trance
Last weeks saw the release of two records that may serve as a brilliant example here. Llovage is a peculiar amalgam of ideas and sounds, whose range of uses is as broad as that of the title herb, whereas Black Myths are all about reflecting the emotions, revolt and anger of the African American community through music.