“Rastilho” is a personal comment on the contemporary world, the simplest possible gesture: reaching for an instrument, playing, and looking towards the samba tradition to make a contemporary statement about Brazil under Bolsonaro’s rule.
Alabaster DePlume takes the suitcase labelled “jazz” on a trip around the globe. He opens it up in various corners of the world – for forty minutes, we delve into melodies as if taken straight from the Ethiopiques stage, set sail for the Far East and towards Japanese Min’yo folk, only to return to Europe along the path of Celtic music.
“Processions” is a contemplative journey through folk music, a lesson in deep and close listening. Because you do have to listen closely to it, capture the sounds, their details, try to discern all the hidden layers. It’s an invitation to deep listening: this is escapist music, you have to let it play out, catch your ear in a trance