“Fugues” is a turn towards simplicity and the possibilities it offers as well as a brilliant look at guitar traditions, distilling their essence. Yet this is by no means a minimalist work: the multitude of tracks and arrangement ideas create a densely woven narrative, This is an album you really have to engage in and find time for.
When Jacek Sienkiewicz reaches for the abstract instead of the 4/4 metre, his music becomes more dense. Individual pieces are intriguingly multi-layered, though still forming a coherent whole. This is a work of inspired precision: despite the many analogies, each record from the newly released trilogy showcases a different aspect of the musician.
If we don’t attach that gravity to it, it’s meaningless and we refuse to contribute to the morass of abstraction within music – we don’t dedicate our lives to just merely be entertainers for wealthy people. We use our music and our platform that we have in order to generate progress and further our conditions and beliefs as people, politically and otherwise.
“Trypolis” is a story dazzlingly told: with moving lyrics, delivered (i.e. shouted) in Marcin Pryt’s trademark style, musically complex, but coherent and distinctive at the same time. If the idea of concept albums may be kept alive, it’s on records such as this one: thought-out, fine-tuned, with texts that match the music, memorable on both the formal and emotional levels.
“Loading 7%” by Delay_ok is micro-music – created at home, using a limited number of instruments. At the same time, though, the macro aspect is there too – the sound is very spatial, full of diverse layers and interlacing ideas. Joanna Duda on “Keen” interweaves various threads, piecing them together into a colourful mosaic, which may seem incongruent at first sight, but thanks to how subtly and craftily subsequent tracks are pieced together, the record sounds coherent and convincing.